At times I find myself teaching the technical aspects during workshops, while my heart wants to share the art of it – as was taught to me over many years, many teachers, in both worlds. I am not a professional dancer, never have been, not an expert, but a passionate student of the art on my own. I am thankful now for the dance and music education I did receive as a child, and my dance experience in SL. As with anything, our experiences help shape each of us as individuals. I share this freely, my own opinion, my own beliefs, for you to take as you will.
This dance performance caught my eye, so many excellent examples of choreography which is my deepest love in create dance performances in SL.
Did you notice the very powerful entrance? Immediately I was drawn in – the serious expression – the walk, not sexy, not overly powerful, soft yet still somehow strong. The curtain parting briefly then closing again – a glimpse only.
Before the dancing starts, she moves into a pose and pauses there – anticipation.
Notice at times how she shifts into strong dramatic movements during the strong beats. Slows the tempo…pauses. Hits – a statement
I love the animation of her hands spreading in the beginning. While we most times are limited by the animations in SL, there are ways to achieve this through the animations we have available – even if it is not the same. It’s the expression, not imitation.
OK, I’m a sucker for dramatic animations, bold movement. Notice how she mixes her animations – to flow with the music and the beat, others express the lyrics themselves – all smoothly woven together.
She uses the dance floor – covering a large area as she paints through her movement. All the movements across the floor have a purpose, have a dramatic impact, chosen carefully. She moves because she needs to, not because of some innate expectation to have x number of movements from point a to point b.
I also notice that at times it seems the animations carry through after the beat, the hands still moving – like follow through. I love this. It reminds me to dance from the heart, not the head. The head might say – change animations on every phrase, etc, but my heart says – just create, no rules.
Notice the mix of movements – I see contemporary, ballet, and more. An example of not limiting a dance to a specific style of movements (animations). To me, it is not the individual animations that define the style of dance – but the choreography as a whole.
These are some of the aspects that I believe really help make dance choreography in SL so emotional, evocative, enrapturing – whether it’s hip hop, contemporary, latin, burlesque, or super sexy power rock.
One thing I don’t feel it does have? A strong ending. I would have perhaps finished in a strong pose before the music ended – perhaps even before people expected me to stop dance. A pause in a dramatic pose, turn and walk away if that’s what I wanted to express. Walk away = I’m done, I’m out of here. A slow fade of a fade screen = softer drifting from view. A dramatic pose – especially with a group of people can create a lasting memory – or flying off into the sky. What other ways can you finish? What do you want to express as that last final impression?
See Me, Feel Me. A dance performance, generally RL, that touched me in some way, but I won’t go into detail how. That’s for you to feel, to see, to listen for yourself. I watch dance performances in SL, and in RL through videos. I sink deep into them, how do I feel, how do I react to it, can I feel the movement, does it inspire me, or do I dislike it. In turn, I believe it expands my own mind and creativity.
I find that while contemporary dance is the style that moves me the most, what appeals to me depends on the moment and my own mindset. I believe this is true for each one of us – and my hope is that I, and for all of you, keep stepping outside of my comfort zone and create from the heart and not from the mind.
I will soon be teaching a workshop on “small stage performances”, which I consider this to be. A small area of focus, our eyes drawn to the dancer’s expressive moments, the flow of her costume and costume transitions. Minimal set, visual image changes – subtle but compelling.
I see so much more, inspiration and echoes. What do you see?
It feels good to be home again after a week away. I live in the South, sometimes referred to as the screen door to hell because of the heat but I was slammed with how oppressive it was way up in Northwestern New York!
Overall it was a great trip, but I did miss home – my routines, knowing where everything is, my comfortable bed…
The best thing about the trip – and the long drive? Inspiration and a reset of thoughts. Sometimes my thoughts get so jumbled. I may have everything lined up and keep telling myself…do this…do this…do this. It’s good to stop sometimes and ask “why am I doing this? why do I do it this way?”. I am on a path to self discovery, satisfaction, and growth. In some ways it’s never ending, but slowly I find what inspires me, motivates me, what I enjoy most. Most importantly I learn the triggers to my anxiety and methods to cope with it. Slowly I learn how to balance my need for a lone time and my need to spend time with friends, keeping those relationships strong. It was a bit unplanned, but I had an amazing time finding small items for my longest and dearest friend in SL to add to her package. Didn’t make it to FedEx before I left, but will tomorrow after replacing the three bags of gourmet chocolate I left in NY…
While away, my brain slowed down a bit. I went to an amazing glass museum and still feel so inspired by the art I saw. I even created two pieces myself while I was there and did a lot of introspection during quiet moments. I can’t be everything to everyone, no one can. But what I love, what I enjoy most, I can focus on, do my best, and share that with others. I have a nurturing soul and a soft heart, easily hurt and at times easily taken advantage of. I have always poured my heart into what I love, what I’m fully engaged in. This is a strength I believe. A weakness? Having my thumb in too many pies. This I have done my whole life, especially in RL work. At times, even in this world I have done the same but through various transitions things are just about the way they should be.
I haven’t read this book in a while and should again. The Four Agreements.
This…and slow and steady win the race. Those are my mottoes for the upcoming days and weeks.
What is your motto? Perhaps even a theme song for the upcoming days?
Alas, last minute snafus as I prepare to leave for a visit to family. I turn to art – to soften my thoughts and to ease the tension in my shoulders. I write for others – that perhaps my shared words might inspire in a way, encourage the journey in others, but primarily I write for myself as part of a healing process. Sometimes it is purely for the need of releasing the visions that swirl about in my head. Sometimes it’s putting emotions to paper.
Does a piece of art influence the dance creations of others I wonder? Is this the piece I sometimes miss? Composition itself is a form of art, putting together a set that is balanced, pleasing to look at, conveys the desired results and looks just as though it was meant to be that way.
This morning it is art I share…
I am hoping that while I’m away, I’ll have moments of time when I can lose myself within creation, generally early in the morning as I sip my coffee and the sun comes up. A natural rhythm, a natural flow are important, and I’m very sensitive to when these are off balance.
May your day be one of bright colors and bold strokes.
~ Eva
I could create this…and think I will..
I don’t care for the noose, but what of a dance in shadow?
One of my peaceful spaces, one of several, each filling a need with in me. To meditate and re-balance, to create, to be within a community shared with others, to teach, to nurture.
Today: June 12th ~ Peaceful Spaces, a reflection of me
Background: Updated challenge for myself
Capture a special moment each day, something different, not for a nice photo but something that inspires or invokes feelings of creativity, peace, passion. To help keep me moving forward, working past challenges and to discourage me from hiding in my protective shell.
The unusual week continues, but yesterday a “failure” provided insight to improvement, reminding me that sometimes that’s how lessons are learned.
During the backstage mover workshop I had technical issues with the rings. I don’t believe it was the rings, I believe it may have been SL. It was tested on multiple sims by different people – same thing. We all know that occasionally SL is that way. The issue? The ring with one waypoint wasn’t giving the offset consistently. Didn’t matter new designer ring or old. One time it would, one time it wouldn’t. The fix? Adding another waypoint then deleting it. With everything going on in SL, things happen. Not my reason for writing though.
I will never admit to being perfect and I always work on enhancing and improving, striving to do the best I can. I realized that part of my challenges with that workshop is that I was adapting what should be taught on a “big” stage to small build pads for each individual. Different stage locations, stage representations, etc.
A light bulb came on, or a hammer over my head…some workshops NEED to be taught on an actual stage. Once this came to me, the activity preparation, supplies, activities for people who listen or participate just popped into my head as clear as crystal.
It can sometimes be a challenge to break down workshops so they can be easily to follow, give enough information so that people can take what was covered back and try it themselves, hopefully inspire, and make it a bit of fun. I enjoy when it comes together. It’s difficult when it doesn’t and I apologized probably too many times…but then I stepped back, looked at it, and realized what the weak areas/pain points were and thought about ways to make it easier and better – aha: we need a stage area for workshops too.
I often say “Necessity is the mother of invention”, it is how I’ve learned so many things. Because I wanted to accomplish something, so I researched, and tried, and learned where I could – until I did what I wanted to do.
When things go wrong, it totally sucks. When you let someone else down, it totally sucks. Sometimes it may be beyond control (SL having issues), or sometimes it can be the preparation and planning. I am thankful for the people who were there and patient, I am thankful for the people who don’t give up on me, and I’m thankful for those who inspire me to keep growing and others that (hopefully) I inspire.
I like this graphic, a lot. I’ve definitely experienced all four at different times. 🙂
Today? I’m breathing deep, doing my best, and open to whatever lessons and experiences may come. Oh…and brainstorming a stage for teaching on my sim. 😀
See Me, Feel Me. A dance performance, generally RL, that touched me in some way, but I won’t go into detail how. That’s for you to feel, to see, to listen for yourself. I watch dance performances in SL, and in RL through videos. I sink deep into them, how do I feel, how do I react to it, can I feel the movement, does it inspire me, or do I dislike it. In turn, I believe it expands my own mind and creativity.
I love the formations, smooth formation changes, and feel the power. I’m actually quite inspired and this is totally out of my comfort zone! As always, I see so much more but won’t share it…your reaction personal and possibly completely different from my own.
This has been a bit of an odd week and if I let it, it could really drag me down into the pit of doubt and darkness, wondering why and walking away for a bit. Were the things that happened intentional? accidental? or the universe realigning things so that I could see what I needed to, focus where I needed to? It’s not one thing, but several things in both worlds.
I remind myself that I choose how I react, respond to a situation. I do know that at times when my ego and feelings of self-importance get out of hand there is always a reminder of humility coming my way. I can stay mired in attachment to the things that I thought would happen or be, or I can embrace this as a transition, something positive. A word for the day – ruminating.
Definition of ruminate
ruminated; ruminating
transitive verb
1: to go over in the mind repeatedly and often casually or slowly
2: to chew repeatedly for an extended period
At this moment I’m still in the process of ruminating, and have a habit of staying attached to people, situations that are part of my past and not my future. Dwelling over what I thought could’ve been or what was. Truth is, I could take some of the things this week as a personal slight or feel inadequate, or I can embrace what is and make the most of it.
It is a beautiful day today. I have time to work on the two dances I’m creating, will be streaming for Winds practice which I love, and dancing with a friend in one of my favorite dances of hers. I’m always so honored when I’m asked to dance with someone, always feel like they are sharing their creation with me and honored that I get to be part of it, within their art. I can take a deep breathe, trust in the universe and embrace what could be an amazing day if I’m open to it. What will be, will be.
So, I’ve been striving to be more organized, to plan out creating my dances better, to develop a flow and a checklist to keep me motivated – and it feels good! No stress about what comes next or if i’m forgetting a step. There’s even dates to help me plan my time better and finish before the first practice!
Umm…oops.
I was so excited and I’d taken the month of May off to “create” so I was roaring to get back out there in June. (Ha, ask me how much creating I did in May.) Well…I can be pretty excitable..and something happened…
Yeah. Since I was getting all organized and I was so excited and amped up – I scheduled myself to create FOUR yes, four new dances and a crowd dance – most within the same two week period.
Guess what happened?
a. I spread myself too thin
b. At times I was overwhelmed so I did non-dance things
c. I did the easy stuff for all of them, and avoided the “meaty” stuff like choreo
d. I underestimated the amount of time I’d need for each task so I could “get them done”.
e. All of the above.
If you chose “e” you are absolutely right. I put “too many peas on my plate” and there was no way I could do all that. For me, there is no way I can create four new dances in a month and a crowd dance, in addition to the other things I do in SL and RL, not to mention enjoying the process and what my completed dance would be. Everyone works at different speeds, but for me, my excitement and big plans made me oblivious to the oncoming train wreck.
This is why I’m still working on a dance for Friday. This is why I’ve fallen behind on Blind & Frozen, and why my crowd dance wasn’t quite what I envisioned.
Luckily I was able to shift a bit, hadn’t officially scheduled one of the dances, and have some cushion time built in for creating Blind and Frozen. What does this kind of overdoing it do? Disappoint myself, my dancers, and others as I bring another repeat to the stage. (It’s been a bit since I’ve performed a brand new act.) It can also result in possibly cancelling a performance because I can’t finish, or bringing something disappointing to the stage. Not to mention my own stress and strain on things in general.
I always want to create more than I possibly can, there’s such a thrill in starting a new project when the ideas are just swirling around in my head and the music is pumping in my veins. But…if I keep chasing the amazing beginnings and never make it to the amazing endings….what does this mean?
In reality, this is something I’ve always done – my whole entire life. I jump into things with both feet when I’m passionate about something. I’m not as great with follow through. I truly do believe in this world that we are in that we can learn a lot about ourselves, accept it, and work on changing it.
So. I have to do something. The definition of insanity is doing the same thing over and over again expecting different result.
I like having two dances “in play” at the same time. Sometimes I need a break from one. I also like having a crowd dance somewhere in the process, which has a completely different creation process for me.
I think I can reasonably complete two new dances in a month and a crowd dance for planning purposes.
PLUS – if I follow the first in/first out rule, when I completely finish one THEN I can start the next one on my list.
What else do I need to do? Reduce scheduling performances until I’m ahead at least a bit and can give a dance enough time to finish it before the first practice. It has been my goal for YEARS to have my dances done at least a week before the first practice.
So. I have a plan. My head keeps saying but…but…but…but. But, this is a bit different for me and could be really good. New – and a bit uncomfortable. I wrote it down though, it’s on the internet, so it must be true – right?
Background: a look into my creative process as I build a dance start to finish. See previous posts to follow along if you’ve just jumped in. Welcome to my madness!
Animations, movement, and re-thinking the costumes
When I first dove into the dance world in SL, I hunted high and low for any dance animation I could find. Four or five years ago now? This was before Bento, before Sync’d, before Abranimations became what it is today. (I do NOT miss those old testing blocks.) We all know how quickly 349L animations can dent your SL wallet…so I got a bit creative.
I bought dance machines with copy permissions, free dancers, free objects will interesting animations, boxes of animations, dance/animation huds, the entire stock of Ministry of Motion when they had a sale long before they closed (all with copy permissions). I bought new animations for each dance I created or led. I had a very generous partner who loved supporting occasional shopping sprees.
Moral of the story? I’ve collected a significant number of animations over the years. I had to clean out a lot of the duplicates (Ministry of Motion animations were in my ballet bars, some of the dancers, etc. so I had multiple copies). I guarantee I don’t have the most, nor do I need to. Now I buy a few new animations for each dance, or maybe a new Abranimations pack, or recently a small spree of 10 at MyAnimations to freshen up my animation inventory. I also keep watching for when stores have animation gifts and collect those too. You’d be surprised how even unusual animations can fit into a dance – especially when you’re dancing in a tiny/different avatar.
[On a side note: I’m a little shaken with the closing of SineWave. While they’d stopped coming out with new stuff, they had some great classics that I still use. The owner of Henmations hasn’t been seen to my knowledge (although hopefully still around in some way), and I’ve heard the owner of Studio4D has left SL, though the store is still there. If they both closed, this would significantly reduce the number of animations available to choreographers.
Support your dance animation stores! These two stores are well known, especially Henmations, but other, smaller ones aren’t. If they are legit and not copybot stores – encourage others to support them too. The more support they receive, the more encouraged they may be to create new animations. I plan on taking a trip to both soon, see if there are a few new animations that would work for upcoming creations.]
So, now that I’ve consolidated my animations into 3 animation manager pads I have about 3500 dance animations (there are still some duplicates I need to clean out though). They add up fast when Abranimations non-Bento dance packs often had 30 animations in them. This is why I needed an animation organizer to make it easy to cycle through them, quick to flip when I know the flapper animations won’t work, easy to select the ones I like.
Do I need this many animations to create an amazing dance? Absolutely not! If you are just beginning in dance, do NOT let the number of animations you have discourage you! Buy a few for each dance, mix them up – purchasing from different stores. Please, please, please don’t “choreograph” a dance with only animations from one store and one dance pack. Use your music to help you buy animations. Incredible dances can be performed with 10-20 animations! Sometimes too much is just too much. Mine are usually around 30-40, which means I have more transitions. The more transitions you have, the harder it can be to perform a smooth dance where people don’t notice the transition from one animation to another. The way I feel and create, I just tend to use more animations.
So, I worked on selecting animations for Blind & Frozen again this morning. I’m finding my morning hours are the most productive for me. I’m still on the “major store, not Abranimations” pad which has about 1300 animations in it. I find that after a while I start to lose focus. It’s kind of like wine tasting. You need a change in palette so that you can experience the next wine selection. I drank my coffee and chose animations until I reached that point. During this, I changed from my Jar of Hearts costume to my Blind & Frozen costume – assuming the animations would feel similar (and not being as lazy as yesterday when I didn’t feel like changing). Wow, was I wrong.
The first picture here is my Jar of Hearts costume. The next two (in purple) are of the dress I’d picked for Blind and Frozen. It may not convey in pictures, but having the legs completely hidden is pretty much a deal breaker for me in this dance. Once I started really digging into the animations and listening to the music, it is so powerful and so much is lost because you can’t see the leg movements…
Ugh. Double ugh. The costume is no mod too, meaning I can’t even try shorten the skirt panels or remove some. This means I need to find new costumes that fit my set, the time period, and also the expression of the dance – and not hide the legs completely. I may need to think outside the box on this one. Did I ever mention that costuming is one of my biggest challenges and a subject that I don’t ever plan to teach? (I have a friend who is wonderful at costuming – I’m hoping she’ll do a presentation at the SL academy where she teaches in the future.)
I’m glad I allotted extra time to create this dance. At the same time, I’m trying to keep a steady pace while not rushing and losing the creative quality of it, or stressing. That will be my key – keeping a steady progress going and picking the reins back up if they fall.
Off…to shop…for costumes…again….ugh
And that is why I don’t buy my dancer’s costumes until the choreo is done…
Happy dancing!
~ Eva
Blind & Frozen Timeline
Start date – 6/2
Performance date – 7/13
Finish Day
Goal
Date
Done
1
6/2
Choose the music
6/2
1
6/2
Buy or download the music
6/2
2
6/3
Write up an outline for the dance, background, the story, ideas, feelings, how many dancers, etc.
6/3
4
6/5
Edit the music (if needed)
HOLD
4
6/5
Pick a costume, or something similar to what will be my costume
Eva Harley is the person behind the avatar, or is that the avatar behind the person? I exist in all worlds, I am simply me. Find here random thoughts, feelings, information, ideas, possibly inspiration, and hopefully laughter and smiles. I embrace the unusual, long to be within the world yet also outside of it, watching and marching to my own drum, creating my own beat. This is my canvas, Second Life the world between worlds that is my playground. My life is what I make of it, and here I share for both you and I alike.