“I’ll lift you and you lift me, and we’ll both ascend together.”

I’ll rise up
Rise like the day
I’ll rise up
In spite of the ache
I will rise a thousand times again
And we’ll rise up
High like the waves
We’ll rise up
In spite of the ache
We’ll rise up
And we’ll do it a thousand times again

If you’ve been here a while, you know that I sometimes ramble about various things – the thoughts in my head, something I may have read, a video from Ted.. (ha!  I made a rhyme!)

The feeling, the realization that overwhelmed me this morning is how critical we can be in the dance world, how easy it can be to judge others…and I realize I too have judged others.  I have based my opinions on my own definition of what a dance “is”…and “isn’t”, what’s “good” and “not good”.

This is very different than evaluating dances for yourself, how you responded to it, did you connect to it, what you liked about it, what you didn’t like.  An impartial evaluation.   One with no emotional response tied to it, no judgement of the artist who created it, or that they “didn’t do it right”.  One where you are open minded and appreciate the effort when a choreographer puts their heart and soul into a dance, and does their best, following their own vision.

We don’t limit works of art such as painting and sculpture, why do we limit dance?  Perhaps we should seek the message within the dance, however the choreographer chose to communicate it, using whatever tools, whatever knowledge and skill they have to apply to it.  Perhaps we should appreciate and hopefully see the growth of a choreographer over time, as they expand in their skill and find their own voice through dance.  When we have the opportunity, even support them in their growth, in whatever way that may be.

Perhaps we should celebrate the successes along the way, and those that dance simply because they must…because it is a form of expression.

It is a slippery slope, giving positive encouragement while not giving false praise.  I once performed a dance, some time ago thankfully, that was truly horrid.  Due to lack of planning and procrastination on my part I’d slapped something together and performed it…racing to the finish line, just so that I ‘had something’.  I truly didn’t understand the comments “that was wonderful, amazing, beautiful”.  I knew it could be wonderful, but it wasn’t, not nearly, and that was my own doing.  There was no passion or effort put into it, and to me, I could feel that.

One thing that will not change?  To me, dance in SL is art, it is communication.  I believe in the purity of it, in the need to create because we must.  Not for the praise, not for the tips, but because of that innate desire to create and to share.  That is heart and soul, and without that…a performance loses its color for me.

As I put these thoughts down, I process them at the same time, relieved that they are no longer swirling in my head.  What will I take from this?  Personally, it is this:

   To truly focus on experiencing the performances of others, with an open mind, to offer support and encouragement where it is welcomed. 
   To appreciate the true effort choreographers make in their self expression through dance in this world. 
   To remember the difference between evaluating a dance for my own knowledge, compared to judging a dancer or their creation.

I will continue to create, to try, to celebrate my successes and my failures, because it is by overcoming the fear of failure that we can reach new heights.  While looking for a quote, I came across this one, and this one stays:

“I’ll lift you and you lift me, and we’ll both ascend together.”

May you soar freely, and always dance to the music in your head.
~ Eva

lift you

 

 

 

 

Rise Up:

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See Me, Feel Me: Male choreography – Cry Me a River

See Me, Feel Me.  A dance performance, generally RL, that touched me in some way, but I won’t share with you how.  That’s for you to feel, to see, to listen.  I watch dance performances in SL, and in RL through videos.  I sink deep into them, how do I feel, how do I react to it, can I feel the movement, does it inspire me, or do I dislike it.  In turn, I believe it expands my own mind and creativity.

There are elements in this I like, others I don’t, but I leave that for you to discover for yourself, on your own.

In SL, male choreography I believe is one of the most challenging things to do because let’s face it – most dancers in SL are women, most choreographers are women, and there are 876,942 dance animations for women, and 14 non-feminine dances for men.  Exclude the exotic male dancer animations and there’s….three.  (Yeah, I exaggerated but there is a significant gap.)  Adding wrist locks to the men can help, but it’s still a challenge.  One thing I really liked in this dance performance is watching powerful and artistic “male” choreography.

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See Me, Feel Me: A different perspective…

Last one for the day.  To me, this is such an interesting perspective on dance.

See Me, Feel Me.  A dance performance, generally RL, that touched me in some way, but I won’t share with you how.  That’s for you to feel, to see, to listen.  I watch dance performances in SL, and in RL through videos.  I sink deep into them, how do I feel, how do I react to it, can I feel the movement, does it inspire me, or do I dislike it.  In turn, I believe it expands my own mind and creativity.

In in our world, so much we can feel, and learn, and apply in our own way, our own expression, in our own time.

Notice how her coach points out the music hits in the beginning, how the choreography slows, the poignant pauses, and so much more…what do you see?  What do you feel?

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See Me, Feel Me: Rise Up, Contemporary

Simple.  A dance performance, generally RL, that touched me in some way, but I won’t share with you how.  That’s for you to feel, to see, to listen.  I watch dance performances in SL, and in RL through videos.  I sink deep into them, how do I feel, how do I react to it, can I feel the movement, does it inspire me, or do I dislike it.  In turn, I believe it expands my own mind and creativity.

 

There are moments when I question my own choreography, if I’ve become too “formulaic”…my animations too predictable, following the beat…the lyrics too closely.  Never stop questioning, never stop growing or stretching…

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See Me, Feel Me: I Built a Friend…

See Me, Feel Me

Simple.  A dance performance, generally RL, that touched me in some way, but I won’t share with you how.  That’s for you to feel, to see, to listen.  I watch dance performances in SL, and in RL through videos.  I sink deep into them, how do I feel, how do I react to it, can I feel the movement, does it inspire me, or do I dislike it.  In turn, I believe it expands my own mind and creativity.

 

** dance starts at 1 minute in:

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Freestyling – what it is and why you just gotta do it!

Freestyling is:

a.  jumping outta bed, running your fingers through your hair, and racing to work.

b.  that thing those skateboarder kids do, where you know you’d break your neck.

c.  when your favorite hair salon has open house and offers free services

d.  loading dance animations into a dance hud, kicking on some music, and choosing animations that fit the song – dancing like nobody’s watching!  Hopefully with a few friends too.


 

Well, I’ve done all those things (except b) but the one we’re talking about today is…. <drumroll>

d.  loading dance animations into a dance hud, kicking on some music, and choosing animations that fit the song – dancing like nobody’s watching!  Hopefully with a few friends too.

But wait…there’s more:

  • In freestyling, you play the animations manually be selecting them from your hud, really dancing you and your friends as you do it.  It gives you a chance to really feel the animations, feel the music, just let go.  No deep thinking, no worrying about recording or anything.  Just simply dancing to whatever music comes on.
  • You don’t know what song may play next.  You do your best, go with it, and have fun!  It’s a great way to loosen up as your mind makes the connection between the animations you play and the music.  Sure, some may work, some animations may look silly, but have a laugh and change it again!  I love tossing that Napoleon Dynamite move in unexpected places!
  • Break out of the mold and enjoy the ride!  When freestyling it’s about having fun!  Try animations and combinations you never thought would work to that Latin music!  You may be very surprised.  No stress, it’s not a performance, and when the song is done it’s done, a new one to start!

Besides having fun and really letting loose, there is one MAJOR benefit:

As you dance you are learning your animations.  It gives you the opportunity to become familiar with them, to see how they move, how they transition from one to the next, how certain animations work with different types of music, and you’re having fun while you’re doing it!

It can really give a boost to your confidence as you let go, relax, take a deep breath.  You’ll find that you start surprising yourself with some very slick moves!

It’s a great way to become extremely comfortable with your dance hud as you invite people, reinvite people, reinvite people, and reinvite people again if they keep missing the invite.  Don’t forget caching your dances too and knowing how to remove them when they decide to head to the punch bowl or pass out in exhaustion…

The more you freestyle, and the more you work with your animations, the easier and more natural it becomes to choreograph a dance.  Focus on feel, and rhythm, and all those other things that bring a dance to life, make it “feel real”.


 

So, how do you freestyle?  It truly is easier and less intimidating than you might think!

First – you need to load an animation hud with mix of animations.  I love the Smooth Dancer hud for this.

  • you choose what animations you want to load.  I always recommend a good mix of animations and a few fun/surprise ones.  Think about where you’re freestyling.  Is a friend streaming?  Are you going to a club?  What kind of music do they play?  *note: just because you’re going to a club, don’t load up on just “upbeat” dances.  Add in some variety!  it’s amazing how different genres of animations can work in a song.  Toss in a few ballet, slow contemporary, and sensual.  Even add a few poses in there for a dramatic finish to a song!  Variety adds interest!
  • if this is your first time freestyling, start with 1 hud.  When you become comfortable, you can wear multiple huds on your screen letting you see more animations at one time and making it easier to flip back and forth!  Don’t forget to invite your friends to all the huds you’ll be using.
  • know the basics of the hud, how to invite people, reinvite, and remove, how many people you can have on your hud.

Second – where will you be freestyling, how are you getting the music?

  • you can literally freestyle anywhere:
    • go out to a club
    • get together with some friends, maybe someone wants to stream music
    • turn on a radio station, on your own sim or even somewhere else
  • I’ve even gone to a beautiful sim where I felt inspired, tossed one of those text titlers over my head that said ‘dancing to the music in my head’, and did just that (well, music only i could hear)

Third – it’s more fun with friends!

  • Invite a friend to go with you, or five, or even more if you’d like.  Go out to a club, have a freestyling party, go to a freestyling party!  It’s fun to do on your own, but also lots of fun when you have others to laugh with when you do the funky chicken to the Beastie Boys…
  • Personally, I wouldn’t go to a club and invite random strangers to my hud, but if you’re a regular and know some of the people or feel comfortable, why not?

Fourth – just do it and have fun!


 

Periodically we have freestyling parties at Ravens House.  Come and dance, or wear a HUD and freestyle the group as we alternate who’s going to lead!  IM me in world (EvaHarley resident) if interested in future invites.

Freestyle on your own, especially with any new animations you buy.

Have your own freestyling party or drag some friends out to a club.  Add costumes to make it even more fun!

as Nike says “Just do it!”

Happy dancing!
~ Eva

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Choosing Music

brain-on-music Choosing Music

As always, what I share is based on my own knowledge, preferences and what I have learned from teachers, research and observation.  Take what you will, and apply it your own way.  These are not rules, not gospel, and even I burst out of the box and just go for it if I feel it.  Yes, we dance for the audience, but I believe we create for ourselves, our own sense of accomplishment.  When we truly create, we must set aside the fear of failure and follow our instincts, and learn…

  • Pop/electronic type music is the easiest to choreograph and get started with because so many animations fit that tempo.  Latin music can be great too.
  • Generally, you want to pick music that has transitions it it, a change in tempo.  This creates variety in your dance and keeps the audience attention.
  • I choreograph music both with and without lyrics.  Without lyrics is harder, because you don’t have the lyrics to lean on to convey your message.  I have seen many beautiful dances choreographed without lyrics, but I wouldn’t suggest trying this until you’ve become comfortable with choreography.  There is no fun in stressing yourself, looking at a blank page and wondering what to do.
  • When you choreograph to music the audience knows, they may interpret a different message than you intended.  This is ok.  Music is personal, and they may already have an association to the song, an emotion that is evoked.  When you are performing, you are giving your performance to the audience, for them to see and interpret it as they will, to feel it as they will.  Some pieces of music are more likely to invoke a strong reaction in people.  Consider this, use this if you want to choreograph it.
  • Music that is 3.5 to 4.5 minutes long is good.  It’s enough time for you to convey your message, short enough that it won’t become overwhelming as you plan effects, movements, and choreo.
  • You can relatively easily choreograph something that’s 5 to 5.5 minutes but you will want to make sure there is variation, expression, changes that will keep the audience enraptured.  If the audience is wishing they could pick up the remote control and fast forward or has wandered off to marketplace, know that your dance is too long.  I almost never ever ever use a song that is six minutes or more.  The audience attention span is relatively short, it’s hard to hold interest for that long within a dance.
  • Choose a good quality music file.  Buy the mp3 if you can for quality.  If the version you want is available only via youtube, make sure it’s clear.  You don’t want your audience focused on the static and pops of a poor quality sound file.
  • You will be listening to the song a bazillion times as you choreograph, practice, adjust, practice, perform.  Choose a song you love and will continue to love even after (even if you have to ‘break up’ for a while after you perform it – giving your brain time to reset after the constant replay!).  If the song makes you cringe on the first listen…just say no – or find a different version.
  • Consider the maximum song length a venue allows.  many venues have a limit for the length of the song you can use.
  • Also consider the style of the venue, the audience that will be watching, the other acts.  If you are performing at a strictly burlesque venue, take this into consideration.    Consider the audience attending.  If you perform a classical ballet to an audience used to dramatic and epic dances, it may be received differently than if you perform it at a smaller more intimate venue.
  • You goal/hope will be that you capture the audience’s attention, they they become a part of the performance as they watch.  Pick something they may know or be able to relate to, whether that be the song you choose, the general feel of the music, or a catchy chorus.  If you pick a really obscure punk song with an irregular beat about fish heads, your audience may not be able to relate to it and embrace it.  (Even if you think it’s the best song EVER.)
  • Avoid the overdone songs unless you feel strongly about choosing it.   Sound of Silence is an amazing song, I’ve done a version of it myself…but it’s been done, and done, and done, and done again.
  • Most venues discourage performances with an overtly religious, political, or potentially divisive message.  Consider the venue, the show, and talk to management.  Select venues may focus their performance on a religious theme or encourage it, other venues may have “open” shows where it is all up to the artist’s choice.  If you’re not sure about your song selection, run it by venue management.

These I record here not only to share, but also as a personal reminder to myself.  Remember, these are considerations, not guidelines or rules.  Rules are meant to be broken.

Choosing music can sometimes be a real struggle for me, especially when it needs to fit in a very specific theme.  THEN I can find all kinds of music I’d love to choreograph, but NONE that fit the theme.  When I feel frustrated, that’s when I walk away.  The harder you try, the more you overthink, the more elusive it becomes.

What I do?  I have a private blog with a page of video links, songs I’d like to choreograph someday.  Occasionally I have a look and see if there’s one that jumps out and “has to be done”.  Other times, I just stumble across a song as I browse you tube, search, follow links from other songs.

More to come, as I think of them. 🙂

I am very grateful to past teachers and mentors.  It is through their sharing of knowledge and my own experiences that my passion for dance continues and grows.  May I pass my own on to others and support them as I have been supported.

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See Me, Feel Me – New Rules: Faster Choreography example

Yes, choreography is much harder in SL because we are pretty limited in the animations we can use.  The key I remind myself of, is notice the elements, the contrast, and let these ideas inspire me.  I look for inspiration, not to emulate.

Watching the video, I see many things I personally like about this choreography.

  • Notice the strong bold moments, then notice these are contrasted with smaller movements and pauses that mesh with the music
  • Poses and slow movements are really directed to the audience, feel the emotion
  • See the hits with the lyrics
  • The dancer paints the floor as she dances to the music, I found this very effective in this performance.
  • When using fast paced animations, look for crisp animations that really hit the points, hit with the music.  Many of the new dance animations made are using a higher quality recording process to really capture this effect.  If fast paced animations aren’t crisp, they may look sloppy and not seem to mesh with the music.
  • I love the variation in the tempo of the music and the dance, the change in focus on the dancers.
  • I also found it very interesting to see the same music choreographed for different groupings, 1, 2, 3, etc.

What was your reaction? did you find any inspiration?

Me?  It makes me think I’ve been playing it safe when it comes to choreography, which is my favorite focus in a dance.  Larger, more bold, crisper, faster moves incorporated within my dances.  To add more emotion in faster dances, to DO faster dances…

I’m in no way a professional dancer, but I love to study dance as a casual hobby.  My opinions are my own. 🙂

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Harleyquin in the Halloween Road Show!

Elysium Cabaret Road Show
Tuesday, October 31st at 6pm SLT

More info and LM here:

http://sldancequeens.blogspot.com/2017/09/elysium-road-show.html

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See Me, Feel Me: Fik-Shun

I’m catching up for lapsed time it seems, and introducing a new component:

See Me, Feel Me

Simple.  A dance performance, generally RL, that touched me in some way, but I won’t share with you how.  That’s for you to feel, to see, to listen.  I watch dance performances in SL, and in RL through videos.  I sink deep into them, how do I feel, how do I react to it, can I feel the movement, does it inspire me, or do I dislike it.  In turn, I believe it expands my own mind and creativity.

The first…enjoy.  ~ Eva

New link:

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